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1) Choose show 2) Choose performance 3) Choose seats 4) Choose rate 5) Process orderIf you need help with your reservation, please call us at 91 859 06 46THE TICKET CLOSES 10 MINUTES BEFORE THE SHOW BEGINS.
A family sits at the table. Each one occupies his chair and his place, as it has always been. And no one wonders who assigned them that place or why, as happens with things that are just “the way they are”. But what would happen if one day someone sits in a different place than the one they are assigned?
In “Game of Chairs” we explore the limits of our chairs as a game, an exchange of places, of points of view that inevitably leads us to experience one of the most important human abilities to understand the world and those around us: empathy.
The third concert of the cycle will be dedicated to the saxophone quartet Fukio. We make a radical change in the usual line of our concerts, both in the instruments and in the repertoire. Based in Cologne, the Fukio Quartet specializes in contemporary repertoire, although it combines the premiere of works with repertoire from all periods.
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Flemish painter of the late fifteenth century, early sixteenth century, Hieronymus Bosch marked a new symbolist and moralizing style very different from what was being painted at that time, subsequently copied by other artists, making him one of the most original painters in the history of art.
A few months ago, the new Bosch room was inaugurated at the Prado Museum, dedicated to the Flemish painter in its entirety, with a new set-up that represents a radical reform from a technical point of view. New supports have been made for three triptychs, which allow a correct view of the back of their wings, and a new lighting system, new graphics and a screen have been installed, which will make it possible to admire enlarged details of the works.
Una noche sin luna is a moving and surprising piece that speaks of Lorca with a 21st century sensibility, as if Federico himself were among us. The play approaches the lesser-known aspects of Federico García Lorca’s life and work, as a way of getting to know our own reality through his work. Thus, the work becomes a lively, daring and dynamic piece in which Lorca’s words, his life and his world are a mirror of our own. The play gathers interviews, talks and lectures by Federico García Lorca, as well as fragments of his works, with the dramaturgy of Juan Diego Botto.
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Flemish painter of the late fifteenth century, early sixteenth century, Hieronymus Bosch marked a new symbolist and moralizing style very different from what was being painted at the time, subsequently copied by other artists, making him one of the most original painters in the history of art.
A few months ago, the new Bosch room was inaugurated at the Prado Museum, dedicated to the Flemish painter in its entirety, with a new set-up that represents a radical reform from a technical point of view. New supports have been made for three triptychs, which allow a correct view of the back of their wings, and a new lighting system, new graphics and a screen have been installed, which will make it possible to admire enlarged details of the works.
Una noche sin luna is a moving and surprising piece that speaks of Lorca with a 21st century sensibility, as if Federico himself were among us. The play approaches the lesser-known aspects of Federico García Lorca’s life and work, as a way of getting to know our own reality through his work. Thus, the work becomes a lively, daring and dynamic piece in which Lorca’s words, his life and his world are a mirror of our own. The play gathers interviews, talks and lectures by Federico García Lorca, as well as fragments of his works, with the dramaturgy of Juan Diego Botto.
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All this drawn with impulses of reflective humor and witty surprises that question our reality while we smile, and thus be able to look at it in detail, human and unexpected, more real than the virtual gold that surrounds it.
Throughout his career he has received several awards and has been selected for the inauguration of the theaters “Bulevar (1987)” and “Fernández Baldor (2016)” of Torrelodones, as well as the official opening of the “Escuela Superior de Arte Dramático de Kent (1992)” of Torrelodones.
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