Teatro apolo barcelona programacion

apolo entradas

En primer lugar, junto con Razzmatazz sólo puede describirse como una de las mitades de las “torres gemelas” de Barcelona: estas enormes y legendarias discotecas han entretenido a más turistas que todas las demás juntas.

La Sala Apolo, o simplemente “Apolo” para los locales, parece un viejo teatro porque lo es. En 1943, unos cuantos locos decidieron montar una sala de baile, por muy elegante que fuera, y la tradición se mantiene hasta hoy.

Si lo que buscas es soltarte y divertirte sin pretensiones, esto es para ti. Así que dejemos atrás esos últimos 200 ml de ron del estante inferior, pongámonos nuestras camisetas de los Cazafantasmas y pongámonos a bailar. Estaremos fuera hasta las 6.

Si estás lo suficientemente loco como para ir a una noche de club el lunes, entonces también puedes ir a la más loca. La autoproclamada fiesta de rock and roll más grande de Europa atiende a estudiantes y turistas inmunes al horario de 9 a 5.

sala apolo barcelona

As an experience and as a concert it is fascinating, although I particularly expected a more spectacular staging.  We found that Miller does not lack hip movement, voice, poise or good dress.

With the RockKing Elvis show at Teatre Apolo one can not only enjoy the greatest hits of the King of Rock, but also discover the most significant facts of his history. Greg Miller pays a beautiful tribute concert and tribute to Elvis with an emotional ending with the sound of a recording of a phone call where Elvis dedicated a few words to him before he died. One can feel really moved as he must have felt, his great fan and imitator.

apolo barcelona tickets

Edmundo Dantés is a young and promising sailor, handsome, innocent and jovial. In love with the beautiful Mercedes Herrera, whom he hopes to marry soon, he is the pride of some and the envy of others.

Dumas’ novel is one of those books that, as Lorca said: “if you throw it at someone’s head you can kill him”. And to concentrate that vast world, the journeys, actions, vicissitudes, multitude of scenarios, characters, situations and lacerating feelings within the four walls of a theater is a challenge of enormous risk.

A challenge also for the actors and actresses, forced to give themselves without second takes, and to pour their energy without reserve to sustain the intensity and vertiginous emotion of the intrigue represented.

For two thrilling hours, live and direct, the wit and courage of the son of the Black Count (Alexandre Dumas) join forces with this expert fencer and her team to deliver a few good slaps of humor, love, pain and tragedy. Romanticism without mercy. And without apology.touché!

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