Teatro de la zarzuela la revoltosa
Contenidos
the great zarzuela via completa
Zarzuela would spend half its life reinventing itself as it was consumed in a frenzy of titles of which hardly a significant portion has remained. The diversification of formats and content will be remarkable, largely because the initial artistic and aesthetic purpose soon became a product of entertainment at the whim of fashion, that is, of a situation that, for a century, will be forced to transform itself into very different categories in order to maintain its strength in the face of an audience eager for novelty.
Another moment of reference, closer to us, has its origin in the celebration of the Jornadas sobre actualidad y futuro de la zarzuela, held in November 1991, of which there remains a revealing volume that is included as a starting point.
Shortly thereafter several initiatives have arisen that have sought to “update” zarzuela, whether from the scientific perspective (with an abundance of studies and editions), or from the theatrical (with proposals more appropriate to the theatrical-dramatic reality of our time, as the Teatro de la Zarzuela has produced them), even in reference to a new, irregular and revealing catalog of sound and visual recordings.
la revoltosa fm
Música de RUPERTO CHAPÍLibro de José López Silva y Carlos Fernández Shaw, en versión libre de Guillem CluaPreestreno mundial en el Teatro de Apolo de Madrid, 25 de noviembre de 1897Nueva producción del Teatro de la Zarzuela
Miércoles, 1 de marzo de 201710 AM y 12,30 PM (funciones escolares)Jueves, 2 de marzo de 201710 AM y 12,30 PM (funciones escolares)Viernes, 3 de marzo de 201711 AM (función escolar) y 7 PM (función familiar)Sábado, 4 de marzo de 20177 PM (función familiar)Domingo, 5 de marzo de 201712 PM (función familiar)Funciones con audiodescripción4 de marzo de 2017 a las 7 PM y 5 de marzo de 2017, a las 12 PMTouch Tour5 de marzo de 2017, a las 10,30 AMAl finalizar se realizará un coloquio de 20 minutosLAS FUNCIONES SERÁN EN EL TEATRO DE LA ZARZUELA
la verbena de la paloma lyrics
Wednesday, March 1, 201710:00 am and 12:30 pm (school performances)Thursday, March 2, 201710:00 am and 12:30 pm (school performances)Friday, March 3, 201711:00 am (school performance) and 7:00 pm (family performance)Saturday, March 4, 201719:00 pm (family performance)Sunday, March 5, 201712:00 pm (family performance)Performances with audiodescription4 March 2017 at 7:00 pm. and March 5, 2017, at 12:00 noon.Touch TourMarch 5, 2017, at 10:30 a.m.
Chamber ensembleVIOLINS Cecilia Aivar, Iria Rodríguez, VIOLA Adrián Arechavala, VIOLONCELLO Laura Algueró, PIANIST Laura Rodríguez, PERCUSSION Roberto Fernández, CONTRABASS Raquel de la Cruz FLUTIST Carmen Terol.
la revoltosa madrid
The filming of the documentary began in Valencia, with the recording of the zarzuela ‘El rey que rabió’, and continued in Villena, Alicante, Madrid, Rome and Milan. In all these places the steps of the composer have been followed, from his birth until his early death. His training, his experiences, his successes and misfortunes.
Chapí. La esencia de la zarzuela’, directed by Domingo Rodes, with a script by Tomás Ramírez, is completed with interventions on the life and work of Chapí by specialists in his work, composers, orchestra conductors and lyric performers. In them, names such as Paolo Pinamonti, director of the Teatro de la Zarzuela, Enrique García Asensio, orchestra conductor, Emilio Casares, musicologist, and Mari Luz González, director of the SGAE Archive.
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