Site:museodelprado.es museo del prado
Contenidos
Caixaforum madrid
Las pinturas murales de la Ermita de la Vera Cruz de Maderuelo fueron trasladadas a lienzo en 1947 y reconstruidas en el Museo del Prado con una disposición lo más fiel posible al original. La w [+]
Las pinturas murales de la Ermita de la Vera Cruz de Maderuelo fueron trasladadas a lienzo en 1947 y reconstruidas en el Museo del Prado en una disposición lo más fiel posible al original. La w [+]
Las pinturas murales de la Ermita de la Vera Cruz de Maderuelo fueron trasladadas a lienzo en 1947 y reconstruidas en el Museo del Prado en una disposición lo más fiel posible al original. La w [+]
Las pinturas murales de la Ermita de la Vera Cruz de Maderuelo fueron trasladadas a lienzo en 1947 y reconstruidas en el Museo del Prado en una disposición lo más fiel posible al original. La w [+]
Las pinturas murales de la Ermita de la Vera Cruz de Maderuelo fueron trasladadas a lienzo en 1947 y reconstruidas en el Museo del Prado en una disposición lo más fiel posible al original. La w [+]
El descenso de la c
En su versión online ofrece desde 2007 contenidos permanentemente revisados y en constante evolución que incluyen biografías de los artistas representados en el Museo, de sus directores y patronos, una selección de obras maestras, información sobre sus colecciones y las donaciones y legados recibidos por él, además de entradas referentes a la conservación y restauración de su colección y de todas las exposiciones temporales que se han celebrado a lo largo de su historia.
1785 1787 1788 1791 1792 1796 1797 1798 1800 1803 1807 1808 1809 1810 1811 1812 1813 1814 1815 1816 1818 1819 1820 1821 1822 1823 1824 1825 1826 1827 1828 1829 1830 1831 1832 1833 1834 1835 1836 1837 1838 1839 1840 1841 1842 1843 1844 1845 1847 1848 1849 1850 1851 1852 1853 1854 1856 1857 1858 1859 1860 1861 1862 1863 1864 1865 1866 1867 1868 1869 1870 1871 1872 1873 1874 1875 1876 1877 1878 1879 1880 1881 1882 1883 1884 1885 1886 1887 1888 1889 1890 1891 1892 1893 1894 1895 1896 1897 1898 1899 1900 1901 1902 1903 1904 1905 1906 1907 1908 1909 1910 1911 1912 1913 1914 1915 1916 1917 1918 1919 1920 1921 1922 1923 1924 1925 1926 1927 1928 1929 1930 1931 1932 1933 1934 1935 1936 1937 1938 1939 1940 1941 1942 1943 1944 1945 1946 1947 1948 1949 1950 1951 1952 1953 1954 1955 1956 1957 1958 1959 1960 1961 1962 1963 1964 1965 1966 1967 1968 1969 1970 1971 1972 1973 1974 1975 1976 1977 1978 1979 1980 1981 1982 1983 1984 1985 1986 1987 1988 1989 1990 1991 1992 1993 1994 1995 1996 1997 1998 1999 2000 2001 2002 2003 2004 2005 2006 2007 2008 2009 2010 2011 2012 2013 2014 2015 2016 2017 2018 2019
Romantici museum
Seminars are monographic courses, of a technical or academic nature, aimed at a small group of students and focused on a specific topic, whose study is approached by combining theoretical classes with practical sessions held in the rooms and other rooms of the Museum or the library. Each seminar is directed by a professor and includes the participation of a panel of renowned specialists who contribute their theoretical, technical and methodological knowledge to offer a broad and articulated vision of the proposed topic. They will address topics such as theoretical approaches to the work of art; the relationship of Art History with other theoretical traditions and methodologies; issues related to conservation and restoration and Art Law. The duration and dynamics of the classes, developed with a small group of students, allow for an in-depth study of a topic of study and an active participation of the participants in an atmosphere of reciprocal collaboration.
Queen sofia national museum and art center
Legal framework Audit reports by the Court of Auditors Royal Board of Trustees Director and management team Organization Action plan Annual report Financial data Visitor data Reports on the collection Service charter
The Director of the Museum directs and coordinates, within the framework of the general action plans of the Organization, its budget and the guidelines issued by the Royal Board of Trustees, the activities of the Museum, its different bodies and units, as well as its staff, in accordance with the terms established in the statute of the MNP.
The Deputy Director of Conservation and Research is directly responsible for the Centro de Estudios del Prado (where the Conservation Areas are integrated), the Restoration Workshop, the Technical Office and the Education Area. He is also responsible for coordinating the areas in charge of the technical management of the collections and their conservation, registration, exhibition and documentation procedures.
Reporting to the Deputy Director of Conservation and Research, he directs and coordinates the operation of the Museum’s Conservation areas. His responsibilities include the planning, management and supervision of the Registration and Exhibitions areas (Works Registration Services, Deposits, Permanent Collection and Temporary Exhibitions) and Library, Archives and Documentation. It oversees the management of the Edition and Restoration areas. It promotes lines of work within the framework of good museum practices, such as the implementation of actions in the field of preventive conservation or the implementation of action protocols related to the areas of its competence.