La casa de bernarda alba teatro victoria

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– Partly cleared the horizon of the Pandemic, the Victoria Theater offers longer plays. This has been the case of Cyrano de Bergerac with 90 minutes of direction, and the upcoming June 3 premiere of Yerma, which maintains the usual format of 60 minutes.

This scenic challenge has consisted in adapting and versioning to 35 minutes, this treasure of verse and prose. Whose center are the feelings expressed by each of the characters, who submerged in dark passions and snatched by life and death make this tragedy a timeless mirror where the most basic passions of the human being are reflected.

In this journey they want to add the rural drama «Yerma», where the master Lorca portrays with great poetic beauty the role of the woman who wants to be a mother, in a closed and traditional society. On this occasion, Paloma Mejía, in a very personal version of this tragic poem, uses Lorca’s symbology to amplify the emotions and psychology of each of the characters.

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Una niña encuentra la obra de García Lorca en la estantería de sus padres y al comienzo de la lectura ve a Poncia, uno de los personajes de la obra. Ambas iniciarán un diálogo mientras asisten al inevitable desarrollo de la historia.

Poncia es el ama de llaves de la casa donde Bernarda Alba ejerce un control total sobre sus 5 hijas – Angustias, Magdalena, Amelia, Martirio y Adela, para cumplir con el periodo de luto tras la muerte de su marido. ¿Cómo ve ella esta obligación social? ¿Qué opina del deseo de libertad?

Recomendada para público a partir de 9 años, esta versión de la última obra escrita por García Lorca puede verse en el Lliure online: es un monólogo dialogado e ilustrado que fue creado durante el encierro del año pasado por la dramaturga Victoria Szpunberg y la ilustradora Ana Yael.

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The use of a mask will be mandatory for all persons wishing to enter the venue. As well as it will be mandatory to measure the temperature (those who present fever will be denied entry and will be given the option to change the day of enjoyment of the staging).

At the same time it will be mandatory to wash hands with hydroalcoholic gel, which will be provided by El Teatro Victoria, as well as gloves for anyone who also wants to use them.

los miserables madrid

Bernarda, as Soleá, Poncia, as Soleá por Bulerías, Angustias, as Alegrías, Magdalena, as a Saeta, Amelia, as Tientos, Martirio, as a Taranto, Adela, as a Seguriya.  Each woman is a flamenco palo that embodies the most intimate feelings and thoughts of each one.

Tello has wanted to make these issues more plastic through flamenco and of course through the voice of the characters, with the intention of delving deeper into all this and to be able to perceive it without questioning it. A vision rooted, energetic and temperamental; a reflection sought and agreed by the artist with the words of Federico García Lorca.