Escultura la piedad de miguel angel

Escultura la piedad de miguel angel

Escultura la piedad de miguel angel online

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La Virgen está representada como muy joven para ser la madre de un hijo de aproximadamente 33 años, lo que no es raro en las representaciones de la Pasión de Cristo de la época. Se han sugerido varias explicaciones al respecto. Una de ellas es que su juventud simboliza su pureza incorruptible, como dijo el propio Miguel Ángel a su biógrafo y colega escultor Ascanio Condivi:

¿No sabes que las mujeres castas se mantienen frescas mucho más que las que no lo son? ¿Cuánto más en el caso de la Virgen, que nunca había experimentado el menor deseo lascivo que pudiera modificar su cuerpo?[8].

Otra explicación sugiere que el tratamiento del tema por parte de Miguel Ángel estuvo influenciado por su pasión por la Divina Comedia de Dante: tan bien conocía la obra que, cuando iba a Bolonia, pagaba la hospitalidad recitando versos de la misma. En Paradiso (cantica 33 del poema), San Bernardo, en una oración por la Virgen María, dice “Vergine madre, figlia del tuo figlio” (Virgen madre, hija de tu hijo). Esto se dice porque, dado que Cristo es una de las tres figuras de la Trinidad, María sería su hija, pero también es ella la que lo engendró.

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the creation of adam

One of the interesting debates that arose after the Vatican Pieta was unveiled was the eternal youthfulness of the Virgin. When the master was asked why he had depicted the Virgin so young, he replied: “People in love with God never grow old. The Mother had to be young, younger than the Son, to show herself eternally Virgin; while the Son, incorporated into our human nature, had to appear like any other man in his mortal remains. “Michelangelo Buonarroti

So that there would be no doubt of his authorship, Michelangelo carved on the ribbon holding the Virgin’s mantle the inscription, “MICHEL A(N) GELUS BONAROTUS FLORENT(INUS FACIEBAT. “, the translation of which reads, ” Michelangelo Buonarroti, the Florentine, made her. “

above, from left to right, the three most important and representative works of the artist’s early youth along with the Cupid (lost): the Madonna of the Stairs, the Battle of Hercules with the Centaurs and the Bacchus.

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